@BookRiot -- Bluths in the Jazz Age: Another Great Gatsby - Arrested Development Mash-up

With Gatsby finally about to hit theaters, I couldn't resist putting together another mash-up.  CLICK HERE for the full post at Book Riot.

Now, the story of the wealthy friends who had everything and the one man who had no choice but to tear them apart.  It’s… The Great Gatsby.

Best Books We Read in April (@BookRiot)

Great list here from all the BookRiot contributors.  My choice for the month was:

Giovanni’s Room by James Baldwin
There’s a great passage early on in Giovanni’s Room that’s incidental to the plot, but provides key insight into the main character, David.  He’s describing a car crash in which he was the drunk driver, but he tells his story completely in the passive voice:  “something weird happened to all my reactions”, “the car sprang suddenly out of my control”, and finally “a telephone pole, foam white, came crying at me out of the pitch darkness”.  Through this narrative alchemy, David manages to separate himself from the responsibility for his actions.  He didn’t so much cause the accident as the accident happened to him. As the story unfolds, you see David repeatedly rely on this self-preservation tactic.  He may feign self-loathing as he wreaks havoc on the lives of those around him, but whether he is steering friends into a tree or driving his lover toward tragedy, in his mind David is never truly at fault—he is merely the victim of circumstance.

Louis CK Reading CATCHER IN THE RYE (@BookRiot)

My request to the universe: Louis CK reading Catcher in the Rye.  Please?  Somebody?

[CLICK HERE for full post at Book Riot]

A Great Gatsby/Arrested Development Mash-up (@BookRiot)

I wrote another post for Book Riot last week: 

Two of the year’s most highly anticipated events are the The Great Gatsby movie and the return of Arrested Development. To fill the void until their release dates, let’s see what happens when the Great American Novel meets the Great American Family. 

Click here for the full piece at BookRiot, but for a taste, here are a few one of my favorites:

You're by no means alone

“Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them—if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.”

J. D. Salinger, Catcher in the Rye

March Madness, by the book (@NYDNBooks)

I just wrote another sports related post for Page Views, this time about the Final Four: 

It's that time of year again when I find myself brooding over the smoking wreckage that is my NCAA tournament bracket, wondering where it all went wrong. 

And inevitably, there's someone out there who filled out their bracket based on some random criteria (uniform color, mascot fierceness, campus with the best food courts french fries), and I can only watch in horror as they dance their way to victory.   

So as we head into the Final Four, I'm taking this time to reevaluate the field based on an equally random factor: the literary connections of the remaining schools. 

Maybe this will provide clarity in the face of the madness — and perhaps next time I'll head to the library instead of the sports page before making my picks. I definitely can't fare any worse than I did this year.

[Click here for full text]

Instagram for Books (New Post @BookRiot)

Through the magic of Instagram, the average person with a cellphone camera can take a normal picture and add depth, grit, and even a sense of made-to-order nostalgia. Now imagine an app that would let you apply this same capability to literature. Something that would allow you to–with just a few swipes on your smartphone–take a pedestrian piece of prose and instantly transform it into something more memorable.

For example, let’s take “The Hunger Games.” Its popularity is unquestioned, but it was not particularly renowned for the complexity or beauty of its language. What if we could take a passage from this book and apply some preset filters to approximate a more classic style?

[Click here for the full post]

"Best Books We Read In March" (@BookRiot)

Book Riot asked contributors to choose the best book we read this month.  My choice was A. M. Homes' "The Safety of Objects", but you should go check out the full post--lots of good stuff there.

[Click here for full post]

The Safety of Objects by A. M. Homes

I often hear great writers described as surgeons, but I think of A.M. Homes more as a dentist (and I mean that in the best possible way). In her 1990 collection, The Safety of Objects, she explores the quiet desperation of suburbia, shining a blinding and unflattering light right in your face as she pokes, prods, and excavates with her sharp and sinister tools. She also (like my dentist, at least) uses humor to temper the discomfort–and that’s when she busts out the drill. These stories are uncomfortable but necessary, and leave you disoriented, numb, and desperate for a lollipop.

(Important Tip: DO NOT read the back cover. It commits the cardinal sin of revealing just a bit too much and diffuses some of the suspense.)

Sylvia Plath: Children's Author (via @brainpickings)

This is awesome and somewhat totally mindblowing.  Via Brain Pickings:

"Sylvia Plath — celebrated poet, little-known artist, lover of the world, repressed “addict of experience”, steamy romancer … and children’s book author? Given my soft spot for lesser-known vintage children’s books by famous literary icons, I was delighted to discover The It-Doesn’t-Matter Suit (public library) — a charming children’s story Plath penned shortly before having her first child. Though her journals indicate it was written on or immediately before September 26, 1959, it wasn’t until March of 1996 that the tale saw light of day with its first — and only — publication, featuring wonderful illustrations by German graphic designer and artist Rotraut Susanne Berner."

A Bouncer and His Book

This is my kind of bouncer.

Guest Post @BookRiot: Metafictional Children's Literature

Here's another guest post at Book Riot on my soft spot for metafictional children's literature:

Whether it’s the overlapping narratives of Cloud Atlas, the intricate puzzle of a Calvino novella, or the cheap thrills of The Matrix, I am a sucker for mind-bending entertainment—particularly stories from that curious subset called metafiction.

Describe a book as labyrinthine and I’m a goner. Tell me that a story resembles Russian nesting dolls and I’m putty in your hands.  Break down the fourth wall and I’ll be on the other side waiting for you with open arms and a cup of coffee.

 (Read the full post HERE at BookRiot.)

George Saunders on children's books

"Your instincts as parents are correct: a minute spent reading to your kids now will repay itself a million-fold later, not only because they love you for reading to them, but also because, years later, when they’re miles away, those quiet evenings, when you were tucked in with them, everything quiet but the sound of the page-turns, will, seem to you, I promise, sacred." 

— George Saunders

Just when I thought it wasn't possible to be any more in love with George Saunders, I stumbled upon this list of his recommended children's books that ended with the quote above.  Man-crush, you have been upgraded to threat level: Swoon.  (Read his recommendations here at Dinner a Love Story)

Through the Pulp-o-mizer and In the Night Kitchen

Yesterday's favorite internet discovery was the Pulp-o-mizer, a customizable pulp magazine generator.  It's way too easy and way too much fun.  

I've had Sendak on the brain lately, so I took the pulp-o-mizer for a trial run with In the Night Kitchen:

The Beasts of Childhood: Maurice Sendak in the Southern Wild (guest blogging @BookRiot)

I wrote a piece for Book Riot looking at the similarities between "Beasts of the Southen Wild" and "Where the Wild Things Are".  There will be a (still) hot bowl of soup waiting for you at the end of the post. [Click here for the full post.] 

That is my belt: The next Jon Klassen hit?

they announced that someone left a belt behind at airport security and it was me so I went back and had to show them I wasn't wearing a belt
— jon klassen (@burstofbeaden) February 28, 2013

Looks the Caldecott hasn't left Jon Klassen complacent.  Is this a preview of his next book?

Who knows... but don't be surprised if in the next year you see "I want my belt back" or "That is my belt" in a bookstore near you.

Going Medieval: When Library Fines Aren't Enough

In Stephen Greenblatt's Pulitzer Prize winning "The Swerve", he goes into fascinating detail about the value of books, particularly prior to the advent of the printing press. In one passage, he describes how monasteries would sometimes protect these precious items by placing curses on them.

Reading one of these I couldn't help but think there might be some librarians who would be tempted to put this to use.  So, in case the 10 cent daily fine isn't doing the trick, I've made the curse into a handy sign:

 

Warning: Before posting this at your circulation desk, please check to make sure your library doesn't have a policy prohibiting eternal damnation.

Cover to Cover, Shore to Shore (more U.S. vs. U.K. book covers)

As someone who could spend (and has spent) hours looking at book design, I love The Millions' annual comparison of U.S. vs. U.K. book covers.  Inspired by the post, here are the U.S. covers of some of the past Newbery Award winners and their alternate covers from across the pond.  

U.S. versus U.K. Book Covers

(U.S. left, U.K. right)

2013: The One and Only Ivan (Katherine Applegate)

The U.S. version is both playful and mysterious. The U.K. version is a Brendan Fraser movie.
Winner: U.S.

2012: Dead End in Norvelt (Jack Gantos)

The U.K. version is more stylish and less blatantly angtsy.
Winner: U.K.

2009: The Graveyard Book (Neil Gaiman)

Wasn't a big fan of either... and then I noticed the silhouette on the U.S. version.
Winner: U.S.

2000: Bud, Not Buddy (Christopher Paul Curtis)

Both get the job done, but the U.S. version has more charm.
Winner: U.S.

1999: Holes (Louis Sachar)

Eh, both kind of look like album covers for discarded Pink Floyd albums.
Winner: None

1996: Midwife's Apprentice (Karen Cushman)

The U.S. version is a bit cartoonish, but at least it doesn't make me want to cry.
Winner: Daisy from Downton Abbey

1994: The Giver (Lois Lowry)

Full disclosure: I grew up subconsiously thinking the bearded old man was Lois Lowry.
Winner: U.S.

1986: Sarah, Plain and Tall (Patricia MacLachlan)

The U.S. version focuses on "plain", the U.K. focuses on "tall".
Winner: U.S. (This one is a pure nostalgia choice.  Sorry, U.K.)

Final Score

U.S.: 5

U.K.: 1

None: 2

Calvin & Hobbes Unleashed

Calvin & Hobbes in the real world.  Love these.

Also, just because it's always good to be reminded of awesome things: the complete Calvin & Hobbes is now available in paperback.

 

Artist Exchange: A Chair for Whistler's Mother

In 1969, the great surrealist Salvador Dali published illustrations for Alice in Wonderland that were fantastic--if also slightly disturbing.

Advice from a Caterpillar

Seeing Dali's unique take on a beloved text makes you wonder: Which other classic artists would have be well-matched with books from the children's literature canon?

Here are three examples to start:

The Story of Ferdinand

Author: Munro Leaf

Illustrator: Francisco Goya

A Chair for My Mother

Author: Vera B. Willams

Illustrator: James M. Whistler

This Is Not My Hat

Author: Jon Klassen

Illustrator: Renee Magritte

Willems Shakespeare presents: Hamlet (starring the Pigeon)

Two of literature's most tortured characters, together at last.

WILLEMS SHAKESPEARE

presents:

HAMLET

(starring the Pigeon)

That cat really did love his hats.

From an interesting NYTimes article on a new exhibition about Dr. Seuss's love of hats:

As editor in chief of Beginner Books at Random House in the late 1960s, Michael Frith worked closely with Geisel, sometimes into the early hours of the morning. When they were stumped by a word choice, Mr. Frith said, Geisel would often bound to the closet and grab a hat for each of them — a sombrero, or perhaps a fez. There they would be, sitting on the floor, Mr. Frith remembered, “two grown men in stupid hats trying to come up with the right word for a book that had only 50 words in it at most.”

My favorite detail is that he apparently had a secret hat closet hidden behind a bookcase.  Imagine trying to pull a copy of "Oh the Places You'll Go" from the shelf only to have the bookcase open up, revealing a secret closet--and instead of finding some deep dark secret, you find a room filled with hundreds upon hundreds of goofy hats?

More post-caldecott discussion

Lolly Robinson over at The Horn Book put up a blogpost (Ethics, food chains, and stolen hats) to discuss my last post on "This is Not My Hat".  It's fun to see the pros weigh in. 

Also, for the record, my apparently jaded mind never even considered the fact that the little fish might have been spared--or as one of the commenters suggested, playing an elaborate game of hat-stealing tag.

'This is Not My Hat': Reading (a little) too much into the 2013 Caldecott winner

Posted today on Page Views:

This year’s Caldecott Medal, awarded to the most distinguished picture book of the year, went to Jon Klassen’s “This is Not My Hat.” Klassen’s irreverent tale of deception and revenge is the 75th recipient of the distinguished award. Looking back over the past 75 years is like opening up a series of time capsules, with each year’s award revealing something about the mindset of that era.  

For example, 2011’s winner, “A Sick Day for Amos McGee” by Phil and Erin Stead, is a gentle story about a man who falls ill and relies on the kindness of his animal friends to nurse him back to health — a timely topic given the raging national debate as the U.S. made a push toward universal healthcare.  (Perhaps it was a preexisting condition that prevented Amos from accessing comprehensive health coverage.)

In 2004, the award was given to “The Man Who Walked Between the Towers” by Mordicai Gerstein.  The book is about a daredevil who walks a tightrope between the two towers of the World Trade Center and aptly captured the lingering tensions that still held post-9/11 America in its grip.  

And who could forget Sorche Nic Leodhas and Nonny Hogrogian’s “Always Room for One More” which in 1966 so presciently described the population growth scare that would explode two years later with the bestselling “The Population Bomb”?

Of course I’m being a bit facetious (though I did stop short of drawing parallels between the decline of World War II and “Make Way for Ducklings”), but there is something to be said about the cultural significance of a book that captures a country’s imagination.